Humboldt-Universität zu Berlin - Institut für Europäische Ethnologie

Humboldt-Universität zu Berlin | Institut für Europäische Ethnologie | Termine | Institutskolloquium im Wintersemester 2019/20

Institutskolloquium im Wintersemester 2019/20

  • Wann 29.10.2019 von 14:00 bis 16:00
  • Wo Hausvogteiplatz 5-7, Raum 0007
  • iCal

Experimental Aerial Testimonies from Zones of Conflict and Colonization

Hagit Keysar (Berlin)

Do-it-yourself (DIY) aerial photography using kites and balloons is as old as photography itself and despite the drone boom we are currently witnessing, it has never lost its relevance. Balloons and kites are used by activists around the world for collecting information and producing testimonies around contested environmental and political issues in diverse places such as Brazil, U.S., Spain, Uganda, Iraq, Gaza, and the list goes on. Why go through the effort of creating a self-built aerial instrument that is liable to fail as much as to prevail, when satellite imagery, digital GIS and commercial drones are becoming increasingly affordable and accessible? The persistence of DIY techniques testifies to the need for devising counter-dominant technologies; it tells us that the question at stake is rather, who owns the skies?

In this talk I share research and visual work from Israel/Palestine and beyond, that experiments with the possibilities and limitations to aerial vision in context of conflict and ongoing colonization. As I will show, within the spatial, political and religious particularities of Jerusalem’s contested urban space, a flight with a drone can sketch out aerial walls and forms of corporate and governmental control that are otherwise invisible. In these techno-political configurations, DIY aerial photography can become a valuable tool – not simply for bypassing restrictions over the aerial space, but rather for producing near real-time aerial testimonies that are created and mediated by the abused rather than by distant experts.


Hagit is a researcher and activist based in Jerusalem and Berlin. Her work brings together creative practice and critical theory, and explores the politics and imaginations spurred by aerial imageries and technologies. In recent years she conceptualized the idea of the “civic view from above” through experimenting with a do-it-yourself technique for independently creating aerial photography (developed by and worked to advance the potentials of civic technoscience as a way of materializing counter-dominant visual practices in human-rights activism.